Resurrecting Light
A blend of shadow aesthetics and existential inquiry.
These images, emerging from the obscurity, evoke the works of chiaroscuro masters such as Caravaggio and Rembrandt, who skillfully used the contrast between light and shadow to create depth and drama. However, while the great painters of the past sought to illuminate the subject, these photographs embrace the darkness, allowing shadows to dominate the scene. The beams of light that break through the ruins and abandoned spaces serve as metaphors for hope and revelation, illuminating the beauty within decay. This innovative approach highlights the intrinsic beauty of the dark and its ability to stimulate the imagination.
From a philosophical perspective, these images engage with the thoughts of philosophers such as Martin Heidegger and Maurice Merleau-Ponty. Heidegger, with his concept of "being-there" (Dasein), suggests that darkness can reveal aspects of existence that remain hidden in the light of day. Merleau-Ponty, on the other hand, explores perception and how darkness can alter our understanding of the world.
These images, capturing the essence of the unknown, compel us to confront our deepest fears and hopes, offering a new perspective on reality.
Andrea Bigiarini demonstrates an extraordinary ability to play with visual perceptions, creating images that not only document darkness but also interpret and transfigure it. Each shot is a visual meditation, a work of art that invites the viewer to explore the hidden side of reality. The interplay of light and shadow in these abandoned settings transforms decay into a canvas of introspection.
Darkness is not seen as a lack, but as a presence rich in meanings, an element that enriches rather than limits.
(Einar Berglund)